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Be Yourself: Musical Connections in Washington, DC

Newsfeed - Mon, 2014-11-10 18:07

Backstage at George Washington University’s Lisner Auditorium, 8-year-old pianist Oscar Paz-Suaznabar has his head bent over a cell phone, launching angry birds at stubborn pigs, and From the Top alum Clifton Williams reaches over to show him a trick. Clifton has recently graduated college and moved to Los Angeles to build a career composing and playing piano, but this weekend he has become a superstar to young Oscar, who watched intently each time Clifton took his seat behind the piano. Around the corner in the dressing rooms, you can hear soft giggles as 15-year-old Kiarra Saito-Beckman and 17-year-old Taiga Ultan, who only met a few short days ago, recount their performances on the stage. Over the stage monitor beats the super cool rhythm of Christopher O’Riley’s break piece, a version of Aphex Twin’s produk 29 [101], which is being performed by Christopher, joined by alum Marcelina Suchocka and her all-girl percussion ensemble “Excelsis.” These From the Top musicians have had an amazing week in Washington, DC, filled with musician-to-musician interactions that are the start of new friendships.

The recording of From the Top with Host Christopher O’Riley, presented by Washington Performing Arts, was the final event in a week-long residency in Washington, DC, sponsored by The Jack Kent Cooke Foundation. The recording lauded the 15-year anniversary of the Jack Kent Cooke Foundation and celebrated our ten-year partnership – which has resulted in over $2 million in scholarships for amazing young musicians with financial need. All of the performers on this show received From the Top’s Jack Kent Cooke Young Artist Award, a scholarship to be used on instruments, lessons, travel, or other essentials needed to further their musical education.

The whole experience began at a middle school half an hour away from George Washington University’s Lisner Auditorium on Tuesday, October 21. There, the performers met face-to-face for the first time in the auditorium at River Bend Middle School in Loudon County, Virginia. They gathered around From the Top’s education program staff to see videos of how some of From the Top’s alumni are taking their music beyond the concert hall. Inspired, they got down to business, planning and rehearsing an assembly that they would present to the seventh and eighth grade students the next morning. They practiced what they thought they might say to the young audience before turning to the school’s teachers for advice, who smiled and told them “Be yourself.” As they made their way back to Washington, DC, the performers were ready.

The next morning, the fresh-faced bunch performed their assembly to thunderous applause. The performers made their way into the audience to greet their new fans. High fives were given generously and grins adorned each performer’s face. As the last audience member made their way out the door, the young musicians peeled off into a row of classrooms where eighth grade music students would visit for mini-master classes with From the Top’s mini-masters.

In the band room, Marcelina selected kids to play the marimba, shakers, and wood blocks, while she laid down a groove on the congas. Next door, Clifton gave the kids a lesson in networking usually reserved for young professionals, “Be kind, be assertive, and be yourself” he told them. Kiarra used Bach to demonstrate how classical music employs repetition, as popular music does. And finally, Taiga and Oscar encouraged students to explore how the experience of listening to classical music changed when they were lying down, or facing the wall, or doing anything but sitting quietly in a normal concert hall.

This day of outreach was a huge learning opportunity for our performers. Asked to speak for a group of donors later on in the week, Kiarra told us that she wouldn’t have known how to tell her story prior to the education experience with From the Top.

But that was only the beginning. They still had to record an episode of the most popular weekly one-hour classical music program on public radio. Now that they had planned and presented such an involved program for such a discerning audience – middle-schoolers! – this team of performers had experience and confidence that would support them in their From the Top radio recording.

You can hear their show the week of November 17, by listening on your local station, downloading the podcast, or streaming the show at www.fromthetop.org.


Be Yourself: Musical Connections in Washington, DC

Alumni - Mon, 2014-11-10 18:07

Backstage at George Washington University’s Lisner Auditorium, 8-year-old pianist Oscar Paz-Suaznabar has his head bent over a cell phone, launching angry birds at stubborn pigs, and From the Top alum Clifton Williams reaches over to show him a trick. Clifton has recently graduated college and moved to Los Angeles to build a career composing and playing piano, but this weekend he has become a superstar to young Oscar, who watched intently each time Clifton took his seat behind the piano. Around the corner in the dressing rooms, you can hear soft giggles as 15-year-old Kiarra Saito-Beckman and 17-year-old Taiga Ultan, who only met a few short days ago, recount their performances on the stage. Over the stage monitor beats the super cool rhythm of Christopher O’Riley’s break piece, a version of Aphex Twin’s produk 29 [101], which is being performed by Christopher, joined by alum Marcelina Suchocka and her all-girl percussion ensemble “Excelsis.” These From the Top musicians have had an amazing week in Washington, DC, filled with musician-to-musician interactions that are the start of new friendships.

The recording of From the Top with Host Christopher O’Riley, presented by Washington Performing Arts, was the final event in a week-long residency in Washington, DC, sponsored by The Jack Kent Cooke Foundation. The recording lauded the 15-year anniversary of the Jack Kent Cooke Foundation and celebrated our ten-year partnership – which has resulted in over $2 million in scholarships for amazing young musicians with financial need. All of the performers on this show received From the Top’s Jack Kent Cooke Young Artist Award, a scholarship to be used on instruments, lessons, travel, or other essentials needed to further their musical education.

The whole experience began at a middle school half an hour away from George Washington University’s Lisner Auditorium on Tuesday, October 21. There, the performers met face-to-face for the first time in the auditorium at River Bend Middle School in Loudon County, Virginia. They gathered around From the Top’s education program staff to see videos of how some of From the Top’s alumni are taking their music beyond the concert hall. Inspired, they got down to business, planning and rehearsing an assembly that they would present to the seventh and eighth grade students the next morning. They practiced what they thought they might say to the young audience before turning to the school’s teachers for advice, who smiled and told them “Be yourself.” As they made their way back to Washington, DC, the performers were ready.

The next morning, the fresh-faced bunch performed their assembly to thunderous applause. The performers made their way into the audience to greet their new fans. High fives were given generously and grins adorned each performer’s face. As the last audience member made their way out the door, the young musicians peeled off into a row of classrooms where eighth grade music students would visit for mini-master classes with From the Top’s mini-masters.

In the band room, Marcelina selected kids to play the marimba, shakers, and wood blocks, while she laid down a groove on the congas. Next door, Clifton gave the kids a lesson in networking usually reserved for young professionals, “Be kind, be assertive, and be yourself” he told them. Kiarra used Bach to demonstrate how classical music employs repetition, as popular music does. And finally, Taiga and Oscar encouraged students to explore how the experience of listening to classical music changed when they were lying down, or facing the wall, or doing anything but sitting quietly in a normal concert hall.

This day of outreach was a huge learning opportunity for our performers. Asked to speak for a group of donors later on in the week, Kiarra told us that she wouldn’t have known how to tell her story prior to the education experience with From the Top.

But that was only the beginning. They still had to record an episode of the most popular weekly one-hour classical music program on public radio. Now that they had planned and presented such an involved program for such a discerning audience – middle-schoolers! – this team of performers had experience and confidence that would support them in their From the Top radio recording.

You can hear their show the week of November 17, by listening on your local station, downloading the podcast, or streaming the show at www.fromthetop.org.


Be Yourself: Musical Connections in Washington, DC

Cooke - Mon, 2014-11-10 18:07

Backstage at George Washington University’s Lisner Auditorium, 8-year-old pianist Oscar Paz-Suaznabar has his head bent over a cell phone, launching angry birds at stubborn pigs, and From the Top alum Clifton Williams reaches over to show him a trick. Clifton has recently graduated college and moved to Los Angeles to build a career composing and playing piano, but this weekend he has become a superstar to young Oscar, who watched intently each time Clifton took his seat behind the piano. Around the corner in the dressing rooms, you can hear soft giggles as 15-year-old Kiarra Saito-Beckman and 17-year-old Taiga Ultan, who only met a few short days ago, recount their performances on the stage. Over the stage monitor beats the super cool rhythm of Christopher O’Riley’s break piece, a version of Aphex Twin’s produk 29 [101], which is being performed by Christopher, joined by alum Marcelina Suchocka and her all-girl percussion ensemble “Excelsis.” These From the Top musicians have had an amazing week in Washington, DC, filled with musician-to-musician interactions that are the start of new friendships.

The recording of From the Top with Host Christopher O’Riley, presented by Washington Performing Arts, was the final event in a week-long residency in Washington, DC, sponsored by The Jack Kent Cooke Foundation. The recording lauded the 15-year anniversary of the Jack Kent Cooke Foundation and celebrated our ten-year partnership – which has resulted in over $2 million in scholarships for amazing young musicians with financial need. All of the performers on this show received From the Top’s Jack Kent Cooke Young Artist Award, a scholarship to be used on instruments, lessons, travel, or other essentials needed to further their musical education.

The whole experience began at a middle school half an hour away from George Washington University’s Lisner Auditorium on Tuesday, October 21. There, the performers met face-to-face for the first time in the auditorium at River Bend Middle School in Loudon County, Virginia. They gathered around From the Top’s education program staff to see videos of how some of From the Top’s alumni are taking their music beyond the concert hall. Inspired, they got down to business, planning and rehearsing an assembly that they would present to the seventh and eighth grade students the next morning. They practiced what they thought they might say to the young audience before turning to the school’s teachers for advice, who smiled and told them “Be yourself.” As they made their way back to Washington, DC, the performers were ready.

The next morning, the fresh-faced bunch performed their assembly to thunderous applause. The performers made their way into the audience to greet their new fans. High fives were given generously and grins adorned each performer’s face. As the last audience member made their way out the door, the young musicians peeled off into a row of classrooms where eighth grade music students would visit for mini-master classes with From the Top’s mini-masters.

In the band room, Marcelina selected kids to play the marimba, shakers, and wood blocks, while she laid down a groove on the congas. Next door, Clifton gave the kids a lesson in networking usually reserved for young professionals, “Be kind, be assertive, and be yourself” he told them. Kiarra used Bach to demonstrate how classical music employs repetition, as popular music does. And finally, Taiga and Oscar encouraged students to explore how the experience of listening to classical music changed when they were lying down, or facing the wall, or doing anything but sitting quietly in a normal concert hall.

This day of outreach was a huge learning opportunity for our performers. Asked to speak for a group of donors later on in the week, Kiarra told us that she wouldn’t have known how to tell her story prior to the education experience with From the Top.

But that was only the beginning. They still had to record an episode of the most popular weekly one-hour classical music program on public radio. Now that they had planned and presented such an involved program for such a discerning audience – middle-schoolers! – this team of performers had experience and confidence that would support them in their From the Top radio recording.

You can hear their show the week of November 17, by listening on your local station, downloading the podcast, or streaming the show at www.fromthetop.org.


Be Yourself: Musical Connections in Washington, DC

Radio - Mon, 2014-11-10 18:07

Backstage at George Washington University’s Lisner Auditorium, 8-year-old pianist Oscar Paz-Suaznabar has his head bent over a cell phone, launching angry birds at stubborn pigs, and From the Top alum Clifton Williams reaches over to show him a trick. Clifton has recently graduated college and moved to Los Angeles to build a career composing and playing piano, but this weekend he has become a superstar to young Oscar, who watched intently each time Clifton took his seat behind the piano. Around the corner in the dressing rooms, you can hear soft giggles as 15-year-old Kiarra Saito-Beckman and 17-year-old Taiga Ultan, who only met a few short days ago, recount their performances on the stage. Over the stage monitor beats the super cool rhythm of Christopher O’Riley’s break piece, a version of Aphex Twin’s produk 29 [101], which is being performed by Christopher, joined by alum Marcelina Suchocka and her all-girl percussion ensemble “Excelsis.” These From the Top musicians have had an amazing week in Washington, DC, filled with musician-to-musician interactions that are the start of new friendships.

The recording of From the Top with Host Christopher O’Riley, presented by Washington Performing Arts, was the final event in a week-long residency in Washington, DC, sponsored by The Jack Kent Cooke Foundation. The recording lauded the 15-year anniversary of the Jack Kent Cooke Foundation and celebrated our ten-year partnership – which has resulted in over $2 million in scholarships for amazing young musicians with financial need. All of the performers on this show received From the Top’s Jack Kent Cooke Young Artist Award, a scholarship to be used on instruments, lessons, travel, or other essentials needed to further their musical education.

The whole experience began at a middle school half an hour away from George Washington University’s Lisner Auditorium on Tuesday, October 21. There, the performers met face-to-face for the first time in the auditorium at River Bend Middle School in Loudon County, Virginia. They gathered around From the Top’s education program staff to see videos of how some of From the Top’s alumni are taking their music beyond the concert hall. Inspired, they got down to business, planning and rehearsing an assembly that they would present to the seventh and eighth grade students the next morning. They practiced what they thought they might say to the young audience before turning to the school’s teachers for advice, who smiled and told them “Be yourself.” As they made their way back to Washington, DC, the performers were ready.

The next morning, the fresh-faced bunch performed their assembly to thunderous applause. The performers made their way into the audience to greet their new fans. High fives were given generously and grins adorned each performer’s face. As the last audience member made their way out the door, the young musicians peeled off into a row of classrooms where eighth grade music students would visit for mini-master classes with From the Top’s mini-masters.

In the band room, Marcelina selected kids to play the marimba, shakers, and wood blocks, while she laid down a groove on the congas. Next door, Clifton gave the kids a lesson in networking usually reserved for young professionals, “Be kind, be assertive, and be yourself” he told them. Kiarra used Bach to demonstrate how classical music employs repetition, as popular music does. And finally, Taiga and Oscar encouraged students to explore how the experience of listening to classical music changed when they were lying down, or facing the wall, or doing anything but sitting quietly in a normal concert hall.

This day of outreach was a huge learning opportunity for our performers. Asked to speak for a group of donors later on in the week, Kiarra told us that she wouldn’t have known how to tell her story prior to the education experience with From the Top.

But that was only the beginning. They still had to record an episode of the most popular weekly one-hour classical music program on public radio. Now that they had planned and presented such an involved program for such a discerning audience – middle-schoolers! – this team of performers had experience and confidence that would support them in their From the Top radio recording.

You can hear their show the week of November 17, by listening on your local station, downloading the podcast, or streaming the show at www.fromthetop.org.


Categories: From the Blog: Radio

Soft Rains, Big Sounds

Listening - Wed, 2014-08-27 17:12

On a cool, crisp November day last fall, as the leaves completed their yearly makeover of the New England hills, painting them in swaths of red and orange, a rainstorm was brewing INSIDE of Boston’s Symphony Hall.

Some of the area’s best musicians had gathered on stage of the historic music venue along with From the Top’s Music Director Tom Vignieri to record a very special piece of music. Tom’s hauntingly beautiful piece “There Will Come Soft Rains” was commissioned by the Columbus Children’s Choir and by Deborah Price and the Chamber Music Connection – a music program in Ohio that has had many performers featured on our NPR show.

“There Will Come Soft Rains” was written using the text of Sara Teasdale’s poem (by the same name and written during World War I) about nature reclaiming a world devastated by war. In the video below, you can see many From the Top alumni and staff members, and hear them create a rainstorm with their voices and instruments. Enjoy!

 

From the Top Staff
Michael Dahlberg, cello
Shea Mavros, soprano
Erin Nolan, viola
Wendy Perrotta, soprano
Claire Shepro, alto

From the Top Alumni
Claire Bourg, violin
Jonah Ellsworth, cello
Brian Hong, violin
Anna Lee, violin
Laura Liu, violin
Taeguk Mun, cello
Clayton Penrose-Whitmore, violin
Haruno Sato, violin
Amelia Sie, violin
Kiyoe Wellington, double bass


Soft Rains, Big Sounds

Newsfeed - Wed, 2014-08-27 17:12

On a cool, crisp November day last fall, as the leaves completed their yearly makeover of the New England hills, painting them in swaths of red and orange, a rainstorm was brewing INSIDE of Boston’s Symphony Hall.

Some of the area’s best musicians had gathered on stage of the historic music venue along with From the Top’s Music Director Tom Vignieri to record a very special piece of music. Tom’s hauntingly beautiful piece “There Will Come Soft Rains” was commissioned by the Columbus Children’s Choir and by Deborah Price and the Chamber Music Connection – a music program in Ohio that has had many performers featured on our NPR show.

“There Will Come Soft Rains” was written using the text of Sara Teasdale’s poem (by the same name and written during World War I) about nature reclaiming a world devastated by war. In the video below, you can see many From the Top alumni and staff members, and hear them create a rainstorm with their voices and instruments. Enjoy!

 

From the Top Staff
Michael Dahlberg, cello
Shea Mavros, soprano
Erin Nolan, viola
Wendy Perrotta, soprano
Claire Shepro, alto

From the Top Alumni
Claire Bourg, violin
Jonah Ellsworth, cello
Brian Hong, violin
Anna Lee, violin
Laura Liu, violin
Taeguk Mun, cello
Clayton Penrose-Whitmore, violin
Haruno Sato, violin
Amelia Sie, violin
Kiyoe Wellington, double bass


What Would Beethoven Do?

Listening - Tue, 2014-08-19 16:30

We would like to think that if Beethoven arrived in the 21st century, hearing magically restored, he would see the performers on From the Top as a sign of the invigorated future for classical music, full of passion, humor, and music that defies labels. He’d see the music schools and programs that we visit around the country as we do, as pockets of concentrated energy surrounding classical music. For example, on our recent trip to the Aspen Music Festival and School, where hundreds of young musicians gather to learn and perform the music that they love so dearly, we imagined Beethoven strolling along past the quaint wooden practice rooms listening to the strains of piano, flute, violin and more filling the fresh mountain air. I have a hard time imagining in that setting that anyone would be concerned for the future of classical music.

Enter Here Comes Treble Productions, a documentary film crew that believes that there are many individuals and organizations out there doing great things to propel classical music forward. Their film, What Would Beethoven Do? shares the stories of people like Benjamin Zander, who is building the next generation of classical musicians in the Boston Philharmonic Youth Orchestra; Eric Whitacre, who is bringing classical music into the digital age with his Virtual Youth Choir; Bobby McFerrin, who is challenging audiences with performances filled with fun and humor; and many more people who are doing amazing things with classical music.

The film so closely relates to what From the Top is interested in that we had to see what these guys were all about. They followed us around on our taping in Aspen and talked with some of the performers on our show, as well as our host, Christopher O’Riley, who is at the forefront of bringing classical music to new audiences. Here’s hoping we might help make the film that much better!

Check out their trailer below and let us know what you think Beethoven would do in the 21st century!

What Would Beethoven Do? | New Documentary Teaser from What Would Beethoven Do on Vimeo.


What Would Beethoven Do?

Radio - Tue, 2014-08-19 16:30

We would like to think that if Beethoven arrived in the 21st century, hearing magically restored, he would see the performers on From the Top as a sign of the invigorated future for classical music, full of passion, humor, and music that defies labels. He’d see the music schools and programs that we visit around the country as we do, as pockets of concentrated energy surrounding classical music. For example, on our recent trip to the Aspen Music Festival and School, where hundreds of young musicians gather to learn and perform the music that they love so dearly, we imagined Beethoven strolling along past the quaint wooden practice rooms listening to the strains of piano, flute, violin and more filling the fresh mountain air. I have a hard time imagining in that setting that anyone would be concerned for the future of classical music.

Enter Here Comes Treble Productions, a documentary film crew that believes that there are many individuals and organizations out there doing great things to propel classical music forward. Their film, What Would Beethoven Do? shares the stories of people like Benjamin Zander, who is building the next generation of classical musicians in the Boston Philharmonic Youth Orchestra; Eric Whitacre, who is bringing classical music into the digital age with his Virtual Youth Choir; Bobby McFerrin, who is challenging audiences with performances filled with fun and humor; and many more people who are doing amazing things with classical music.

The film so closely relates to what From the Top is interested in that we had to see what these guys were all about. They followed us around on our taping in Aspen and talked with some of the performers on our show, as well as our host, Christopher O’Riley, who is at the forefront of bringing classical music to new audiences. Here’s hoping we might help make the film that much better!

Check out their trailer below and let us know what you think Beethoven would do in the 21st century!

What Would Beethoven Do? | New Documentary Teaser from What Would Beethoven Do on Vimeo.


Categories: From the Blog: Radio

Exploring Arts Leadership with the National Youth Orchestra of the USA

Newsfeed - Thu, 2014-08-07 14:31

On July 16, we recorded a show with the National Youth Orchestra of the USA (NYOUSA). Our friends at Carnegie Hall bring this orchestra of amazing young musicians together each summer, and the result is pretty incredible. (You can listen to the show here, if you’d like. We highly recommend it!) The next day, From the Top staff took the entire orchestra through our Arts Leadership Workshop, led by Director of Education & Community Partnerships, Linda Gerstle. We asked Linda to share some of her favorite moments.

PS: It’s worth noting that normally, a From the Top Arts Leadership Workshop has less than 20 young musicians involved. This time, there were a few more.


***

REQUIEM! Classical Music is Dying in America!

120 members of the National Youth Orchestra of the USA debated this with conviction – from strongly agree to strongly disagree with shades of gray in between. A chorus of voices engaged with the big issues at play in their world – what it means to take it beyond the concert hall as 21st century musicians, how an orchestra can be a resource to a community – an apt illustration of the overall tone of the arts leadership workshop for Carnegie Hall’s NYOUSA.

Orchestra member (and From the Top alum) Audrey Chen summed it up best:

It was amazing seeing everyone speak out and voice their opinions. The whole orientation really went so far to show that all of us can not only play great music but can also communicate our ideas really well!

Exploring the ways music can transform lives – as individuals, small and large ensembles – was viewed from many perspectives, using an array of From the Top alumni examples. Whether raising dollars to benefit a rare blood disease like alum Stephanie Block, or mobilizing an entire community to address the gap in musical opportunities across a district’s schools like alum Thomas West, it was inspiring to watch pre-collegiate musicians tell their stories to empower others. Michael Dahlberg, an alum of the radio show and now a member of From the Top’s education team, narrated his personal journey, helping the audience to define their own version of success for themselves, envisioning the possibilities in their lives.

This workshop was just the beginning; with outreach opportunities built into the five week NYOUSA tour schedule, each participant was asked to take a question or thought from the orientation that they wanted to explore throughout the course of the tour. One of From the Top’s primary goals for the arts leadership workshop was to leave orchestra members feeling as excited and curious about the opportunities outside the concert hall as those that lie within. Many expressed an eagerness to take a next step – and we look forward to showcasing their leadership moments that we know will inspire current and future audiences.

In the meantime, check out the incredible array of thoughtful responses to a simple question:

“Music has the power to…?”

 

***

 

In addition, here are some other quotes from the participants about the arts leadership workshop:

One of the highlights for me from the From the Top workshop was definitely the emphasis put on thinking outside the box… I think the whole workshop was very eye-opening for a lot of us.” –Lily Honigberg

“I have always had the general idea that I wanted to use music to create positive change in the world, and the orientation helped bring focus to my ideas… A lot of what my colleagues said I had not considered yet, in examining the question, and I was glad to broaden my understanding of something so key in what I am choosing to do with my life… There was a lot of variation in how the material was presented, and we were all engaged.” –Josephine Stockwell

[the orientation] really left a strong impression on me, and also got me thinking about what I could begin to do in college, and how I could build upon and put into action the big and small ideas I previously had on this topic of community engagement for artists.” –Soyeong Park

 

***

PS: Editor’s Note – It’s pretty clear that classical music is alive and well thanks to these young people.


Exploring Arts Leadership with the National Youth Orchestra of the USA

Leadership - Thu, 2014-08-07 14:31

On July 16, we recorded a show with the National Youth Orchestra of the USA (NYOUSA). Our friends at Carnegie Hall bring this orchestra of amazing young musicians together each summer, and the result is pretty incredible. (You can listen to the show here, if you’d like. We highly recommend it!) The next day, From the Top staff took the entire orchestra through our Arts Leadership Workshop, led by Director of Education & Community Partnerships, Linda Gerstle. We asked Linda to share some of her favorite moments.

PS: It’s worth noting that normally, a From the Top Arts Leadership Workshop has less than 20 young musicians involved. This time, there were a few more.


***

REQUIEM! Classical Music is Dying in America!

120 members of the National Youth Orchestra of the USA debated this with conviction – from strongly agree to strongly disagree with shades of gray in between. A chorus of voices engaged with the big issues at play in their world – what it means to take it beyond the concert hall as 21st century musicians, how an orchestra can be a resource to a community – an apt illustration of the overall tone of the arts leadership workshop for Carnegie Hall’s NYOUSA.

Orchestra member (and From the Top alum) Audrey Chen summed it up best:

It was amazing seeing everyone speak out and voice their opinions. The whole orientation really went so far to show that all of us can not only play great music but can also communicate our ideas really well!

Exploring the ways music can transform lives – as individuals, small and large ensembles – was viewed from many perspectives, using an array of From the Top alumni examples. Whether raising dollars to benefit a rare blood disease like alum Stephanie Block, or mobilizing an entire community to address the gap in musical opportunities across a district’s schools like alum Thomas West, it was inspiring to watch pre-collegiate musicians tell their stories to empower others. Michael Dahlberg, an alum of the radio show and now a member of From the Top’s education team, narrated his personal journey, helping the audience to define their own version of success for themselves, envisioning the possibilities in their lives.

This workshop was just the beginning; with outreach opportunities built into the five week NYOUSA tour schedule, each participant was asked to take a question or thought from the orientation that they wanted to explore throughout the course of the tour. One of From the Top’s primary goals for the arts leadership workshop was to leave orchestra members feeling as excited and curious about the opportunities outside the concert hall as those that lie within. Many expressed an eagerness to take a next step – and we look forward to showcasing their leadership moments that we know will inspire current and future audiences.

In the meantime, check out the incredible array of thoughtful responses to a simple question:

“Music has the power to…?”

 

***

 

In addition, here are some other quotes from the participants about the arts leadership workshop:

One of the highlights for me from the From the Top workshop was definitely the emphasis put on thinking outside the box… I think the whole workshop was very eye-opening for a lot of us.” –Lily Honigberg

“I have always had the general idea that I wanted to use music to create positive change in the world, and the orientation helped bring focus to my ideas… A lot of what my colleagues said I had not considered yet, in examining the question, and I was glad to broaden my understanding of something so key in what I am choosing to do with my life… There was a lot of variation in how the material was presented, and we were all engaged.” –Josephine Stockwell

[the orientation] really left a strong impression on me, and also got me thinking about what I could begin to do in college, and how I could build upon and put into action the big and small ideas I previously had on this topic of community engagement for artists.” –Soyeong Park

 

***

PS: Editor’s Note – It’s pretty clear that classical music is alive and well thanks to these young people.


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